Published in a total of 125 copies in *Die Schaffenden*, Vol. III, Issue 1, Gustav Kiepenheuer Verlag, Weimar, 1921.

See the watercolor from the same year and with the same composition, by Lüttichau/Pirsig 757, (private collection). The self-contained yet lively and bustling worlds of the circus and the gypsy camps were inexhaustible sources of inspiration for Otto Mueller’s imagery.

The German painter, lithographer and important representative of German Expressionism Otto Mueller was born in Liebau, in what was then Prussian Silesia, in 1874. After completing an apprenticeship as a lithographer, Mueller studied painting at the Academy of Fine Arts in Dresden and at the Royal Academy of Fine Arts in Munich under Franz von Stuck, which he discontinued in order to continue his self-taught training in painting. Impressionism, Art Nouveau and Symbolism as well as works by Hans von Marées, Arnold Böcklin and Wilhelm Lehmbruck exerted a particular influence on Mueller.

In 1910, Mueller was a founding member of the “Neue Secession” along with other artists in Berlin and exhibited in the show “Rejected Artists of the Berlin Secession 1910.” From 1910 to 1913, Mueller was a member of the Expressionist artists’ groupBrücke.” Characteristic of his work during this period work simple, flat forms and natural, earthy tones combined with expressive contours. He continued to favor distemper paint, which he had been using since 1908 for his striking, slender female figures, and which he applied in thick layers to create rough surfaces. In contrast to Kirchner, Heckel, and Pechstein, Mueller’s pictorial motifs exhibit harmonious, lyrical, and decorative tendencies. A central theme of his work is the human figure in nature and the nude a landscape.

After his involvement in the First World War, Mueller held a professorship at the State Academy of Arts and Crafts in Wroclaw from 1919 until his death and was active in the circle of the "Wroclaw Artists' Bohemia". Mueller died in 1930 in Preslau, Poland.