Otto Mueller

Mutter und Kind II

1920
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Work details

Lithography

26 x 18.5 by 33.3 x 26.8 cm.

On lightly hammered yellowish wove paper. Signed lower right and numbered "18" lower left.  

With the dry stamp "Verlag der Galerie Ferdinand Möller".

Karsch 107 II

Obj. no: 
67619
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FURTHER INFORMATION

Copy 18 of a limited edition of 30 copies announced in issue 3/4 of the magazine *Die Gäste*, published by Verlag der Gäste, Katowice, 1921. The Ferdinand Möller Gallery also listed the publication as having been issued by them, hence the embossed stamp in the lower left margin of this copy.

The painting depicts Otto Mueller’s first wife, Maria (Maschka) Mayerhofer, whom he married in 1905 and from whom he divorced in 1921, as well as his nephew Eugen.

Artist Information

The German painter, lithographer and important representative of German Expressionism Otto Mueller was born in Liebau, in what was then Prussian Silesia, in 1874. After completing an apprenticeship as a lithographer, Mueller studied painting at the Academy of Fine Arts in Dresden and at the Royal Academy of Fine Arts in Munich under Franz von Stuck, which he discontinued in order to continue his self-taught training in painting. Impressionism, Art Nouveau and Symbolism as well as works by Hans von Marées, Arnold Böcklin and Wilhelm Lehmbruck exerted a particular influence on Mueller.

In 1910, Mueller was a founding member of the “Neue Secession” along with other artists in Berlin and exhibited in the show “Rejected Artists of the Berlin Secession 1910.” From 1910 to 1913, Mueller was a member of the Expressionist artists’ groupBrücke.” Characteristic of his work during this period work simple, flat forms and natural, earthy tones combined with expressive contours. He continued to favor distemper paint, which he had been using since 1908 for his striking, slender female figures, and which he applied in thick layers to create rough surfaces. In contrast to Kirchner, Heckel, and Pechstein, Mueller’s pictorial motifs exhibit harmonious, lyrical, and decorative tendencies. A central theme of his work is the human figure in nature and the nude a landscape.

After his involvement in the First World War, Mueller held a professorship at the State Academy of Arts and Crafts in Wroclaw from 1919 until his death and was active in the circle of the "Wroclaw Artists' Bohemia". Mueller died in 1930 in Preslau, Poland.