Otto Mueller

Dünenlandschaft 1

1920
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Work details

On vellum.

1 of 15 copies.

Signed lower right.

26.3 x 36.3 cm to 44 x 56.2 cm.

On the reverse, it bears the estate stamp (Lugt 1829 d) and is monogrammed by Joseph Müller and titled "II. Landscape 4".

Obj. no: 
67617
Price on demand
FURTHER INFORMATION

This lithograph is extremely rare.

Despite major events in work and work life in 1919—his first solo exhibition (Paul Cassirer Gallery, Berlin), his appointment to the Academy in Breslau, his separation from his wife Maschka, and his relationship with Irene Altmann—he was nevertheless able, for the first time in six years, to spend a few weeks that summer working on the island of Föhr by the sea and in the dunes. In 1920, he repeated this summer stay

Artist Information

The German painter, lithographer and important representative of German Expressionism Otto Mueller was born in Liebau, in what was then Prussian Silesia, in 1874. After completing an apprenticeship as a lithographer, Mueller studied painting at the Academy of Fine Arts in Dresden and at the Royal Academy of Fine Arts in Munich under Franz von Stuck, which he discontinued in order to continue his self-taught training in painting. Impressionism, Art Nouveau and Symbolism as well as works by Hans von Marées, Arnold Böcklin and Wilhelm Lehmbruck exerted a particular influence on Mueller.

In 1910, Mueller was a founding member of the “Neue Secession” along with other artists in Berlin and exhibited in the show “Rejected Artists of the Berlin Secession 1910.” From 1910 to 1913, Mueller was a member of the Expressionist artists’ groupBrücke.” Characteristic of his work during this period work simple, flat forms and natural, earthy tones combined with expressive contours. He continued to favor distemper paint, which he had been using since 1908 for his striking, slender female figures, and which he applied in thick layers to create rough surfaces. In contrast to Kirchner, Heckel, and Pechstein, Mueller’s pictorial motifs exhibit harmonious, lyrical, and decorative tendencies. A central theme of his work is the human figure in nature and the nude a landscape.

After his involvement in the First World War, Mueller held a professorship at the State Academy of Arts and Crafts in Wroclaw from 1919 until his death and was active in the circle of the "Wroclaw Artists' Bohemia". Mueller died in 1930 in Preslau, Poland.